It’s a Trap!

Hello, all!

So, you’re probably going to think I’m being wishy-washy, but I swear, I’m not. I’m going to have to edit The Gem of Meruna.

Now, hear me out.

Last week, I said I would only edit it if I found a lot of grammar errors or problems, and I cannot, in good conscience, rerelease it in its current state.

Not that it’s bad, but I’ve learned so much about the craft of writing over the past five years, and the state this book is in just…falls way short of the mark.

For those of you who’ve read it, don’t worry. The story isn’t changing. It’s just sentence structure and stuff like that. It needs tightened up. Honestly, it could probably stand to lose about 5,000 words, over all, just by fixing the lengthy sentences and losing the few instances of passive voice.

But this is a good thing.

It means that I’m learning more and more about writing as time goes by.

Which, in my opinion, is how you tell a good writer from a bad one. Good writers keep trying to improve.

Bad ones…think they don’t need to. They think their work is the best in existence, a gift to the world, and to edit or tweak it, or change their process at all is tantamount to blasphemy.

But that’s bullshit.

Bad writers can write good stories, and good writers can write bad stories. That’s not what I’m getting at, here.

The day you stop learning and growing as a writer (or as a person) is the day that you become a bad writer. Even if your stuff is gold, there is always room for improvement or experimentation.

And there is always room for editing.

Of course, at some point, you have to pull the trigger, and release your work upon the world, but it needs polished, first. I’ve read several books lately that could have stood to undergo one or two, or five, more rounds of edits. (I won’t name them, because I’m not here to trash talk other writers. My point is…edit your fucking books. Lol.)

Anyway, this will be the last rerelease I do. Any future books will be edited, published, and left the fuck alone.

The first time around for Meruna was a train wreck, though. Lol. (And I need it rereleased under my married name so it’ll be on my Amazon Author page with the rest of my books.)

You see, I went through a vanity press, because I didn’t know better. At that point, I didn’t know what that meant. I assumed it was a normal publisher, and that everything they did was, well, normal.

But…no.

Not at all.

They did no professional edit.

I arranged the cover art myself. (A.K.A. My husband, an incredibly talented artist, did it.) A traditional publisher (what I thought I was doing) would have done editing and had a cover done by their own artists.

They formatted and printed the book, and charged me for their services. Since I didn’t know that isn’t how the publishing industry is supposed to work, I gladly signed and paid.

Then, I regretted it when…nothing happened.

Because, unless I paid them more money, they weren’t about to do any marketing.

All this was in the contract, of course, making it completely legal.

But I didn’t know, at the time, that that wasn’t how it would have happened with a traditional publisher.

The big difference is that traditional publishers and self publishers make their money off sales.

Vanity presses make their money off the authors.

Which is why I still get calls from them, five and a half years later, trying to talk me into paying them for more (subpar) marketing, primarily by talking over me and not letting me get a word in edgewise.

The worst part is that…once I realized my mistake, I was super embarrassed. I didn’t know any better. I was just a noob, trying to get a book published. But I was mortified. I didn’t want to tell anyone. I was terrified that someone would ask how I got published. But I should’ve talked about it.

I’m certainly not the only person who’s done this. I know of others who’ve had much MUCH worse experiences with vanity presses than I had. So, I’m definitely not alone in this. I could have been commiserating with them so much sooner, helping myself to feel less awful about it, and actually dealing with the problem.

Now, this isn’t where I intended to go with this blog, but I think people need to know that vanity presses are not the same as self or traditional publishers. People need to know how/why they’re different. (I’ll talk about what I was going to talk about next week.)

So, learn from my mistake.

If a publisher requires money upfront, run.

They should pay you, not the other way around.

Of course, if you self publish, the cost of editing, cover design, formatting, and a copyright is on you. Some of those things, you can do yourself, but the cost is on you regardless. But the printing and distribution costs come out of the purchase price of the book. Not your pocket.

Keep that in mind.

For now…

Keep reading. Keep writing.

Later.

P.S. – Fun fact, for those of you who came here via my IG or FB…The picture I chose for this is especially fitting for me this week. I got bit by either a tick carrying lyme disease or a brown recluse spider…eight goddamn times. Two of the bites did that whole…bullseye thing. Red ring with bruising around the outside (one the size of a fruit can, and the other the size of a half dollar coin). Feels great…

Antibiotics are helping, though. So, yeah.

But yeah, the two things have the same symptoms, apparently, and look pretty similar. The main difference is that tick bites usually have a tick in them, and brown recluse bites usually happen in pairs (at most) and turn necrotic. None of those things happened. I found no tick. There was no necrosis.

So…who fucking knows. All I know is that I want to rip the skin off my legs to stop them from itching. Yay!

Bye.

Lol.

*waves*

My Writing Process

Clutter. Crossed wires. Messy. Tangled wires on a telephone pole.

Hello, all!

This was a week of decision making. At least, as far as one of my WIPs (works in progress) is concerned.

Now, I’ just about done editing/reacquainting myself with what I have written of The Regonia Chronicles. Book one is edited (first sweep, I’ll do more later before submissions), and four of the…seven or eight chapters I’ve already written of book two are edited.

As such, I’ll be diving back into writing that one very soon. Which I’m looking forward to. There’s a lot to be written, and I’m pretty pleased with how one of the character arcs is turning out.

Salt and Silver, though…

I finished writing the first novella and even the scene which connects it to the second novella. but I hate this wonky format, and the shift in perspective forced upon me by the ending of the first novella makes the whole story fall flat.

Now, before I say much more on the subject, I should probably tell you a bit about how I write.

Some authors are incredibly organized. Some even use the “snowflake method,” which, I believe, goes as follows:
1. Write a sentence containing the story you wish to tell.
2. Expand that one sentence summary into a paragraph with all main plot points.
3. Come up with basic info for your main characters.
4. Turn that single paragraph mentioned above into a page.
5. Do a thing called character bibles and character synopses, which entails writing a full page about each main character (background, personality traits, appearance, etc.) and half a page per minor character.
6. Use everything from steps 1-5 to make a four page synopsis and scene list (EVERY SCENE!!).

THEN, you start your first draft.

Some people spend YEARS just planning their novel. Which is fine. If it works for you, keep doing it.

But to me, quite frankly, that sounds exhausting, and extremely confining. Such a restrictive, planned method seems…suffocating.

I don’t do any of that stuff from the snowflake method.

At all.

There are a few names for my writing style. Discovery, exploratory, organic. I prefer pantser (flying by the seat of my pants).

I get an idea, and start writing.

Period.

Then, I just figure out the details, and build the world and the characters as I go. Usually, i have a vague idea of how the story will end, with a few scenes I know I want to include, though everything is subject to change, at any point in time.

I keep a separate document for important information, like character or world description, a basic timeline (established/filled in as I go), things like that. But aside from main characters, I rarely know the appearance or background before starting. Sometimes, all I know of my main characters is there appearance and a single defining trait. I just make sure to put details in the other document as I come across them, so I can reference that, and avoid continuity errors.

Basically, I make it all up as I go, letting the characters and the details of the story reveal themselves to me as I write. It’s just more fun for me that way.

Only about 20% is ever really planned before I start writing.

Salt and Silver had about 2% planned. If that.

I had the opening scene, which has been revised several times over to incorporate details which eliminate plot holes later on. I had the aesthetics and names of two main characters, but only because they’re in that scene.

Nothing else.

By far, this has been my least organized WIP to date.

(Side note: My writing style frustrates my husband. Lol. He likes to see the process, and pictures me with a room with notes tacked to the wall with strings tied from one pin to another, making a huge mess. But I keep all that in my head. Lol.)

But now, I’ve hit a snag.

Those of you who follow my blog might remember a little mention of a song which sparked an idea for this story a couple weeks ago. I resisted, stupidly enough, and came up with the janky novella-scene-novella format to “solve” the issues.

I was already almost done with the first novella, and didn’t want to rewrite nearly 40,000 words. But the final scene, the one where the couple finally gets together, was such a chore to write, and I didn’t know why. Usually, I love writing that scene to wrap up a book.

But the story was broken.

And now…I have to rewrite. There’s no way around it.

I thought I was going to have to kill off a couple characters, too. But, a few days of agonizing over it while at work helped me figure out a way to use those characters (alive) to drive the story forward. Monotonous, labor intensive factory work is great for working through writer’s block. Seriously.

They now have the ability to pull their own weight in the story, creating all kinds of extra tension and conflict for a prolonged amount of time, rather than just, “BAM! They’re dead! Everyone’s sad. Ope, time to move on.”

Yay, torture! Lol.

Jk.

But seriously, that’s the best advice I’ve ever heard about writing. Find out what your character wants (sometimes it takes a while to figure it out), and then do everything you can think of to keep them from getting it.

Long story short, I’ve solved the problem. I just have to rewrite/reshape 40,000 words to implement the solution… I’ve already started, though, and it flows so much better.

Since I’ll be doing a major overhaul of Salt and Silver at the same time as writing The Regonia Chronicles, I should probably try to maintain a schedule. Sunday night/Monday afternoon will be blog time. Monday night will be Salt and Silver. Tuesday night will be Regonia. Wednesday night will be submissions and/or whichever story is calling to me.

By the way, if you couldn’t tell, I’m a night time writer.

The rest of the week is all work, though. Actually, Sunday is a 12 hour shift at the factory, but I normally start my blog after work, regardless.

Anyway, though, I’ve got a lot of work ahead of me, but I’m genuinely excited about all of it. Salt and Silver will be so much better for it.

So, for now…

Keep reading. Keep writing.

Later.