Tag: fiction books

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Symphony of Dragons

Hi, guys!

So, we all know music is awesome, and lots of writers like to listen to music when they write or edit. It isn’t exactly rare for songs to inspire stories or complete novels.

I’m certainly not an exception to these rules/happenings.

One of my short stories (Vivification, currently on submission for an anthology) was inspired by a song by Phaeleh. The Regonia Chronicles was inspired by a conversation with my husband and the song “Turtle Ship” by Ghasper. “Various Storms and Saints” by Florence and the Machine inspired the rewrite of Salt and Silver (soon to go into another round of edits, then be sent to beta readers).

Not to mention the new story idea I got a couple days ago, thanks to a song called “BFF” by Leah Kate, not that I know when I’ll get to actually write that one. Lol. Too many irons in the fire.

Anyway…

I almost always have music on when I write. Each story gets its own playlist, full of songs handpicked from the 100+ gb of music on my phone. (I’m one of those people that gets every single penny (and then some) of the monthly subscription for Google play music. Lol.)

I hop genres often, typically just putting stuff on shuffle, and seeing what comes up. There’s just too much music out there to limit yourself to one or two genres.

Plus, you never know what genre will resonate with a character or a scene. Some of my characters like blues metal, and others prefer electronic. Some like classical, others like grungy folk.

And sometimes you stumble across a song that just fits a certain ambiance. I have a playlist on my phone comprised of songs that are perfect for a 90’s vampire nightclub. The beats are slower than your average club song, more trance-inducing and sensual than beat-your-brains-out-with-your-eardrums. The vocals are almost…bored. Like, if the singer could be somewhere else, they would be. But they have to be there, so they may as well do the song. And there’s just enough of an industrial feel to make it seem a little dangerous, because, lets face it, vampires were more dangerous back then. Lol.

(I have a scene in my head for that playlist, and eventually I’ll write it, but that’s a journey for another day.)

Sometimes, thanks to my OCD and the luck of finding the perfect song, I put a single song on repeat for the duration of a scene. Whether it takes me thirty minutes to write it or an hour and a half, it doesn’t matter. Then, every time I hear the song, I’m taken right back to that book, that scene.

And I love that.

So, today, I thought I’d share my playlist for Soul Bearer with you all. Not all of them seem fitting for a fantasy romance, but each one fits a character or a scene.

And each song comes with my wholehearted recommendation that you listen to it, because, well, they’re all awesome. Lol.

First and foremost, my MCs’ songs:

Aurisye’s theme song, of sorts, is “Gold” by SHELLS. She’s always felt kind of…out of place. Showing her true colors has never really worked out for her, and she wants to just be seen as normal. More than that, she wants to be loved.

Rafnor’s theme is “Simple” by The Moth and The Flame. Rafnor wants a simple life. He wants a wife who loves him and a huge family. But, getting a simple life is difficult with the return of…dun dun dun…dragons. Lmao.

The rest of these are in the order that I found them, and thought, “This would be perfect for Soul Bearer!”

“Say it” by Blue October

“Tell me lies” by Deorro (feat. Lesley Roy)…Btw, her voice sounds like the vocal equivalent of a pan flute. Just saying.

“100 years” by Serj Tankian (feat. a lot of people with really long names, and lets be honest here, its 2:00am and I’m tired. Lol. By the way, this one is perfect for scenes showcasing utter devastation.)

“Lover, Please Stay” (Live) by Nothing But Thieves

“Outside” (Explicit) by The Weeknd (I told you not all of them seemed appropriate for the genre. Lol. But it fit a scene, very well.)

“Fingertips” by OneRepublic

“Hear Me” by Kelly Clarkson

“Should be Higher” by Depeche Mode

“Shiva” (Live at La Finca Venado Volando) by The Human Experience

“Another Word for Beautiful” by Sundara Karma

“Cherry” by Lana Del Rey

“Notions” by Lovedrug

“Light” by Sleeping At Last

“Kettering” by The Antlers (This one is good for romance scenes, and leads very well into the next one…)

“Wolf Like Howls from the Bathhouse” by Sonny Smith (Excellent for scenes of sexual tension.)

“Nothing” by Vessbroz (feat. Kyle Davis)

“Can You Hold Me” by NF (feat. Britt Nicole) (The scene this one is associated with…Oh my god…I cried when I wrote it, and every time I edited it. Lol. Good luck, guys.)

“Clouds” by BØRNS

“You’re Special” by NF

“Do You Feel It?” by Chaos Chaos

“Round” by The Moth and The Flame

“The Flood” by Cyrus Reynolds and Gregg Lehrman (There’s a drop in this one that is amazing.)

“Synthetic Love” by Sarah Jaffe (This one is also in my Regonia playlist, and is very strongly associated with a scene in the first book.)

“Lux” by Cyrus Reynolds and Gregg Lehrman

“Can You Feel My Heart” by Bring Me The Horizon

“My Neighborhood” by Lovedrug

“You’ll Be Fine” by Alex Clare

“Angel” by Tokio Meyers (Breathtaking song.)

“The Warden” by Chelsea Wolfe (Perfect for magic/casting scenes)

“Running For Your Life” by UNSECRET

“Nobody Else Will Be There” by The National (Another good one for romantic tension.)

“Sour Breath” by The Devil Wears Prada

“Riverside” by Agnes Obel

“Archibald MacDonald of Keppoch” by Alasdair Fraser
(This one…oh my god…the scene it goes with…it hurts.)

“Healing” (Original mix) by Phaeleh

“Burn the Witch” by Shawn James

“A Different Time” by Phaeleh

“Víðbláinn” by Peter Gundry

“Can’t Help Falling in Love” (DARK) By Tommee Proffitt (feat. brooke) (Super intense build up, good for gathering courage and slaying dragons…)

“Onward and Upward” by Tommee Proffitt (feat. Fleurie) (Another excellent build up song. Think fire and smoke everywhere, with the roars of a massive beast vibrating your chest as you run, sword aloft, into battle…)

“Finale” by Michael Abels

Whether you’re excited for Soul Bearer (which I hope you are) or whether you just want music recommendations, this is a pretty good list, in my opinion.

Update time! I got all my formatting done this week! It was a mind-numbing, infuriating, blur of tedium, and I’m not quite looking forward to doing that again. Lol.

Now, I’m on to copyright stuff and ISBNs and uploading and swag and proof copies and ARC readers. But first, I’m beta reading a friend’s novel.

For the time being, though, I think I’m going to sign off.

Keep reading. Keep writing.

Happy listening.

Later.

Note…I don’t have rights to these songs, and I’m not being paid by them or Google play (though wouldn’t that be nice?) to promote them. I just really like music. Lol.


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Writing tips? Who the hell am I to give writing tips?

Hello, all!

I recently got an audio book version of one of my favorite books (I won’t say which, because I’m about to shit on it a bit. Figuratively, of course. Lol.) I put it on my phone, and have been listening to it while at work, and….it’s just stunning. It really is a perfect story, even if the writing could stand a few improvements, at least in the beginning of the book.

It has aliens and futuristic technology, primitive survival and humans on the brink of extinction, other worlds and a new vision of our world, drama and tension. Multiple romances, even a love triangle, though in this case it’s more like a square with one side collapsed so that two corners collide.

In short, the story has nearly everything that I like to read.

But hearing it spoken aloud brings writing flaws to attention. There’s a reason that one very common tip mentioned in writing groups is to read your work aloud.

Which brings me to the topic of discussion today: passive voice and copula spiders.

Basically, they’ll fuck your shit up.

Too many make your story drag on, racking up the word count without adding to the plot, or moving it forward, at all. I know how comforting a higher word count can be, believe me, but if it’s all going to be cut out in editing, it doesn’t help in the end.

Passive voice example:

The apple was eaten by Tom. (passive as hell)
Tom ate the apple. (much better)

The second sentence actually shows someone doing something. It’s active. It’s more interesting, and doesn’t pack your story with useless words. (A tip I saw in a meme recently said that if you can insert “by zombies” after your verb, you’re using passive voice. The apple was eaten…by zombies.)

Now, for copula spiders. Basically, if you search for the word “is,” or some other conjugation of the word “be,” in your manuscript, and can find more than 8 on a page, that’s a copula spider. If it’s printed, circle one, and then circle the others, connecting them all to one in the center. It’ll kinda look like a spider.

Is, am, were, was, be, been.

Look into it. They’re vicious soul suckers, and slow the story down. Don’t believe me? Here you go:

The apple is red. It is shining. The sunlight is bouncing off it.
The red apple shines brilliantly in the sunlight.

Which would you rather read?

Hell, I was able to add another word (“brilliantly”) for impact, and the second version was still shorter. Concise writing vastly improves story quality.

Let’s combine the two flaws, because they tend to go hand in hand. How about we raise the stakes while we’re at it, really drive the point home?

The gun is loaded. It is pointed at me by Tom.
Tom points the loaded gun at me.

Sweet (in theory, not in the practice of pointing guns at people), simple, and to the point (pun intended).

It just flows, so much better.

Don’t get me wrong, there are times where this can be used for emphasis. Perhaps, Tom wants to assure us that the gun is loaded. Perhaps, someone is colorblind, and has confused a fuji apple for a granny smith. They need corrected, lest they put the wrong type of apple in their pie, and someone says, “It is red.”

Similarly, passive voice can be used to emphasize parts of the sentence, and, let’s face it, people love to really drive their points home, any way they can. So, dialogue becomes a free-for-all, to a degree.

In a similar vein, first person-present tense can use these things quite effectively, if the story is written as if it were the character’s thoughts. Even then, it has to be done well.

Not to mention the potential for a troublesome character who tends to over-explain, thus limiting any possibility for concise language.

So, every rule has its exceptions.

But, for the most part, passive voice and copula spiders hinder storytelling. Burdensome and ineffectual, they slow the reader, transforming a potentially page-turning novel into a sluggish read.

That’s not exactly something most writers want.

Some stories are strong enough to pull their weight, regardless of a few extra words. The one I’ve been listening to, for example.

But not every story can bear that kind of burden.

Do yourself, your editor (and thus your wallet), and your readers a favor. Be wary of these things. When you employ them in your story, do them with great purpose, and make sure it’s obvious that you meant to do it.

We can tell when it’s an accident.

*steps down from the soap box*

*prepares to use the hell out of copulas, because at this point, I’m just talking*

On a more personal note, I want to say that rewrites are exhausting. Lol. I worked through about seven chapters of Salt and Silver, and was frustrated the whole time. I couldn’t figure out what I was doing wrong. I just knew that it wasn’t working.

Then, I realized I was holding on too tightly. To sentences. To phrases. To chapters.

To a character.

So much stuff must be cut to make room for the things I have to work in. I was trying too hard to adjust things, rather than eliminating them. But if a character’s role in the story changes…naturally the amount of time they’re given in the limelight should change, as well.

So, I head into this week’s revisions with a clearer idea of what I must do.

Wish me luck. Lol.

For now, though…

Keep reading. Keep writing.

Later.