So, the hardback proof of Soul Bearer came in this week (the paperback should be in today/tomorrow, and I’ll put up pictures after that. Idk why they shipped separately). It’s so exciting to see it, to finally hold it in my hands after staring at it on a computer screen for so long.
It still doesn’t quite feel real. Lol.
Of course, there are a couple things that need adjusted, some things that didn’t translate to print how they should have (hence the need for a proof copy), and I’ll have to adjust those. But it’s in my library, now.
It’s on my shelf, and I freaking love it!
I’ll stop gushing now though, and get to the point. Lol. The physical copy sparked a conversation between my husband and I. He expected the hard back copy to be thicker than it is.
It’s not a super long novel, by any means, coming in at just over 70,000 words. High fantasy, nowadays has a tendency to run pretty long though, sometimes topping out above 100,000 words.
There’s this trend lately for books to be huge, lengthy tomes that, if used as a weapon, could knock someone senseless. (Ironically.)
Now, my husband is a huge fan of Andre Norton. He has about one sixth of her books (which is saying something, since she wrote several hundred). She wrote high fantasy and scifi. But her average word count was, I think, between 40,000 and 50,000 per book.
Nowadays, that’s considered a novella, not a novel.
So many people want big books, now.
Anyway, my husband asked how I get so much stuff into my books, without the books being far longer. And my answer kinda surprised me. Lol.
I hadn’t thought about it until the words came out of my mouth.
I told him that I use my world building to build my characters, and my characters to build my world. I multitask.
Doing the two things separately just fills the pages…for no reason.
I mean, the main characters are going to play a pivotal role in shaping the world they live in, especially in fantasy, otherwise they wouldn’t be the main character.
So showing their experiences relative to the world…makes sense.
For them to have motive to change things, they have to have been affected by the negative sides of their world at some point. So showing their world relative to them…makes sense.
Okay, I feel like I’m talking in circles, so I’ll give examples.
In Soul Bearer, Aurisye is looked down on and treated horribly for being half-Orc. That tells the reader that the two races don’t get along (they’re actually at war), and builds up who she is…an outcast.
Rafnor joined the military for equal treatment. He grew up poor, and was bullied over it (so money is important in their realm, another problem for Aurisye). But the military runs on skill and the ability to improve, rather than on basis of connections or finances.
Now, in Salt and Silver, Ness is a demi-demon. That alone tells you a few things about her world. It tells you that, in the world of Theran, demons are real, whether you believe in them in our world or not. It also tells you that they can, at times, walk the earth, and procreate with humans.
The existence of demons implies the existence of gods, otherwise a different word would’ve been chosen in place of demon. It sets up the juxtaposition to imply that yes, the gods are real and can be interacted with.
In the opening scene, she’s called a witch, telling you that magic exists in their realm.
Which brings us to the word choice topic again. I wanted to have one term for magic users, regardless of gender, and I wanted it to be one that would be instantly recognizable.
Wizard, witch, mage, or caster.
Caster might not be recognized outside the gamer community, so it was out.
Mage works for Soul Bearer because it implies the use of spells, runes, and potions alike. Mage also has a connotation of prestige, of exclusivity. Since not everyone in Visun (the world of Soul Bearer) can use magic, that holds true. The term also lends itself nicely to high councils (which is a thing in Soul Bearer).
Wizard instantly conjures the wizarding world of Harry Potter, where only certain people can access magic, primarily through the use of wands. Sure, magical items, potions, and divination exist, but mostly, it’s commanded with wands.
And in Salt and Silver, that isn’t the case.
Anyone can access magical energy, but most don’t care to. It relies heavily on potion making, devotions to multiple gods or demons, and occasional sacrifices. Basically, it’s useful, but tedious and time consuming for mortals. It’s a skill that has to be developed, much like leather working.
For most, it’s easier to pay someone else to do it.
The term witch makes me think of potion making and lonely little cottages in the woods. It calls to mind paganism and a deeper understanding of nature.
And that’s what I wanted for Salt and Silver.
One word can have such a huge impact on the atmosphere of the world.
Making sure you have those pivotal words down can make a world of difference in the length of a book.
Another Salt and Silver example. I didn’t have to explain that their country is divided up into city states led by their own militaries, because when shit hits the fan, they consult the leader of the local chapter of Knights. That alone spared me several pages of exposition on the way their country is set up.
Basically, it all boils down to that old adage, show vs. tell.
If you show me your character sitting in a classroom, zoning out during a calculus lesson amidst kids who are just a bit older, I’m going to assume they’re in high school, taking advanced classes.
You don’t have to tell me what grade they’re in or what grade the other students are in. You don’t have to tell me they’re attending high school. You can let the character’s mind wander over the problems they’re facing (i.e. the point of the story), thus building the world and the character in the same scene.
If you need me to know that your character is having relationship problems, add in a flashback to a fight or have their partner’s voice echo through their head. That way you can show me the tone of voice, you can show why they’re fighting…how they’re fighting.
And all those things build the world that the characters are living in. It paints a picture of the life they lead, in addition to showing the personalities and desires of the characters.
Of course, there are times where you just need to tell something, and get it over with. A quick thought or comment could do that without devoting page after page to an explanation of the country’s history.
At any rate, there needs to be balance between showing and telling, and that balance lands in different places along the spectrum for every author.
I tend to lean more toward showing. Obviously. Lol. I like my stories…punchy.
The point is, it’s possible to write high fantasy in less than 100,000 words. Lol.
So, if you find yourself falling short of that mark when writing fantasy, that doesn’t necessarily mean anything bad about your writing. There’s the chance that maybe you missed something, but it could just be that you eliminate most exposition.
Anyway, I’ll stop rambling, now.
Over the past week, I did some editing on The Gem of Meruna, and did some work toward the Soul Bearer release. I also added a chapter to Salt and Silver to fill in a plot issue pointed out by beta readers, and filled out the playlist for my sci-fi series.
Basically, I’m jumping from one story to another like a damn maniac.
And this coming week promises to be just as chaotic.
Keep reading. Keep writing.