Five Tropes that I Hate: A Book Rant

It’s time for a rant, and man, have I been building up to this. This trope series has been rather positive so far, but now, it’s time to spill some tea. Today, I’m talking about my least favorite tropes in books.

First and foremost, we’ll start with on that is unbelievably popular, much to my confusion.

Harems and Reverse Harems

Just… why?

These always feel unnecessary to me, not to mention ridiculously unlikely. Unless you’re dealing with an actual celebrity, the odds of seven people being into the same person are just… too high for me to really accept within a book.

Not to mention… juggling that many people just seems exhausting.

I’m good on all that.

The Bookworm (Or the writer)

I know, another controversial one. Reading about a bookworm or a librarian who goes on adventures seems like something that should appeal to me.

But for some reason, it’s actually a pet peeve of mine.

Maybe it’s because I want to read about characters that I don’t have quite so much in common with, and since books are kinda my lifeline, a character with the same lifeline really isn’t breaking the mold for me.

Plus, from a writing standpoint, it just feels too easy for a writer to give the character the exact same passion that the writer possesses means that writing the hobbies of their characters requires absolutely zero effort or research.

And it means that while reading, I’m less likely to pick up some ridiculous little bit of know-how or some little quirk that’s unique to that character’s hobby. Because I already know how to turn pages in books and I clearly know what it feels like to sit at a computer typing for hours on end.

The Ditz

I don’t typically like ditzy people in real life, so it isn’t terribly surprising that I don’t like them in books.

I want strong, capable characters who can think about what they’re doing and the consequences it’ll have. I want characters I can relate to, and that means they should probably use their brain, sometimes using it so much that they actually hold themselves back.

I don’t want to groan in frustration the whole time that I’m reading because the character is walking into asinine situations and endangering their life and the lives of others simply because they have too much hot air in their head to think anything through.

The Meat-Head

I know that these people exist in real life, but much like the ditz, I avoid them.

Muscles are cool, don’t get me wrong. But they’re not the most important thing in the world. That view seems rather short-sighted. Though considering the average intellect of the meat-head characters, that short-sightedness isn’t altogether surprising.

Again, I want intelligent characters. I want them to think about their situation and their choices. Brute force works in some situations, but not all.

And these characters fall short when any amount of brains are necessary.

Mr./Ms. Indecisive

What exactly is the point of a character that never makes a choice? If they hang back and let the world dictate their entire life, why are they playing a role in the plot?

I like character-driven stories, and these characters refuse to decide anything, thus ruining their ability to drive the plot forward.

What’s your least favorite trope? Let me know in the comments below. Really let loose. I certainly did.

Keep reading. Keep writing.

Later.

Check out my books here and fill your heart with all the aforementioned tropes. Subscribe for sneak peeks and updates on my upcoming books. Or if you’d rather pitch in for editing and other writing-related expenses, you can support me directly here.

My Three Favorite Tropes and How to Write Them

Of all the tropes out there, I love strong female leads (with trauma), underdogs, and slow burn romance above all others. I write one or all of them into nearly every one of my own books and love when I find them in books that I’m reading.

And in the interest of seeing them done well, today I’m offering up tips on how to write them well.

Shall we start with one that’s become increasingly popular of late?

Strong female leads who have a history of trauma

Plot-relevant trauma
If your MC has a tragic backstory, it needs to make sense. Trauma for the sake of trauma (or for the sake of clamoring to be relatable) probably won’t come across well. If her struggles are relevant to the plot or a sub-plot, the story will feel more natural.

There are many kinds of strength
Remember that bold, reckless, and in your face is not the only kind of strength. As human beings, women have the ability to possess many different types of strength. They don’t have to be rude or bitchy. There are much quieter types of strength.
Yes, fire is hot and fierce, but stone is sturdy and unyielding. Yes, resolve and a go-getter attitude is strong, but so is the ability to be compassionate under duress.

Underdogs

Give us a reason to root for them
Don’t just throw a two-dimensional character up against insurmountable odds. Give them emotion. Give them heart. Give them something compelling to fight for so that we want to see them succeed.

Give them at least some chance
The key to a good underdog is them coming out on top, besting their foe. But if the means by which they accomplish this are completely unbelievable, the story will fall apart. Give them difficult odds, not 100% impossible.

Slow Burn

Chemistry
Build these characters into people who would actually fall for each other. Give them inside jokes. Fill their time together with fleeting glances and the excitement of wondering if the other person meant to brush their arm. Give them butterflies and heat.

A compelling reason for them not to tear into each other immediately
Give them all that chemistry… and then give them a compelling reason for staying apart at first. Maybe one of them is healing from betrayal and isn’t sure they can trust what they *think* the other person is feeling. Maybe one of them has a history of being a player, and the other doubts them. Maybe one is about to move across the country, and they weren’t looking for anything serious.
Just make sure it’s a good reason, that way it frustrates them and gets your reader really hoping they can overcome it.

Keep reading. Keep writing.

Later.

Check out my books here and fill your heart with all the aforementioned tropes. Subscribe for sneak peeks and updates on my upcoming books. Or if you’d rather pitch in for editing and other writing-related expenses, you can support me directly here.

My Three Favorite Tropes (and why I love them)

It’s time to talk tropes. I have a whole series lined up for you, but let’s start simple.

What are tropes? They’re elements that crop up in a lot of books, be they themes, types of characters, or types of plots. Strong female lead, hero’s journey, vigilante, insta-love, harem, coming of age, orphan discovers they have magic, etc.

They can crop up in just about any genre or subgenre. They can be done well, or they can be ludicrously awful. Where they fall on that spectrum is a bit subjective. Some people hate certain tropes but adore others. Some authors staunchly avoid writing them.

But with so many out there, the odds of using one, even accidentally, are pretty high.

I want to kick off this series on tropes on a positive note. So, we’re starting with my favorites.

Underdogs

I fucking love a good underdog story.

Seeing someone who’s deep in it, someone who has nothing going for them, who’s been through hell, rise up and make it out alive?

I’m in.

What’s better for a little hope?

Strong female lead
(Likely with a traumatic past)

I love seeing a strong woman in books. And no, that doesn’t mean the bold, brash heroines that just do what they want regardless of anyone else’s feelings. There are a lot of types of strength.

I like the women who’ve been pushed, women who broke and rebuilt themselves, and in the process, learned that they can do what they need to do because they’ve withstood worse.

Yeah, there might be some who hate the levels of trauma that some strong female leads face in books, but I’ll be honest, it makes them more relatable for me. (And probably for a lot of other people, because life can be relentless.)

Slow Burn

I love a good slow burn romance subplot. The tension, the build-up, the back and forth… It just sucks me into the book.

I like seeing the characters get to know each other. It makes it more realistic and believable.

What are your favorite tropes? I’d love to hear about them.

Come back next week for tips to write these tropes well, and then the week after, I’ll be listing my least favorite tropes.

Keep reading. Keep writing.

Later.

Subscribe to stay up to date on all my upcoming books. Check out my published books (featuring the tropes above) here. Or if you’d like to help fund some editing and marketing efforts, you can support me directly here.

Writing with Tropes: 4 tips to help you do it well

Hi, guys!

So, there are these things in literature called tropes. Basically, tropes are themes or character types that pop up over and over in a lot of books. The hero’s journey or forbidden love, the jock or the hardass or the air headed pretty girl.

Or the smart pretty girl that doesn’t realize she’s pretty even though literally every one she meets falls in love with her and wants to get into her pants. That one seems to be increasingly popular, of late.

Tropes are everywhere, and they’re pretty hard to avoid.

And tropes aren’t bad, in and of themselves. If you’re not sure where to begin, they can provide a jumping off point.

But relying on them to heavily can prove disastrous for a book.

It breeds boring, two-dimensional characters and insanely predictable books.

If every character is a well-known stereotype and the story itself is a formula story, then there’s no real depth to draw a reader in and make them wonder what might happen.

Because they already know.

Because they’ve read that exact story with those exact characters a million different times.

Or worse, the cheesiness of all the over-the-top tropes could just become too much, ruining what might otherwise be a real edge-of-your-seat page turner.

You might think, “Well, I’ll just be completely original and not use a single trope.”

To which, I say…good luck. There’s bound to be some sort of trope in there somewhere.

There are literal tons of them.

Orphan finds out they’re magical, marriage of convenience, whirlwind billionaire romance, elderly mentor, secret heir, magical object to save the world, love triangle, the list goes on.

Plus, when you’re busy striving for originality, you get stuck thinking of what’s already been done (trying to avoid it) rather than just writing and letting your voice make whatever you write an original.

Which brings me to the first way to avoid over-troping your book.

Find your voice.

Every author has a signature style, a way of writing that is uniquely them.

It’s a mixture of the types of stories they tell, the words they choose, the aesthetic they tend to go for, the level of detail they strive for, the tense and the POV they write in, and many other things.

And if you really develop your voice as an author, you can write the tropiest tropes that ever troped, and still make something original.

Because it’s been spun in your unique voice.

The second way to avoid accidentally trashing your book with tons of blatant tropes is to study psychology.

Getting a better grasp on how people think (and what might have lead them to think that way) will inform your writing and deepen your character development.

You don’t have to get a degree. (I did, but not with the intention of using it for writing. I intended to become a therapist, at the time.)

But do some research into personality development and the effects of trauma or various disorders. Maybe buy a used psychology textbook online or take a class at a community college.

Third, study sociology and history. Again, no degree necessary, but do some research, watch some documentaries, read some books.

Learning how empires rise and fall, seeing how precarious some societies really are, and how small problems can topple mighty countries might show you something that you could use in a rebellion in your book. Or it might show you what it takes to rebuild afterward.

Tropes for the story line (star-crossed lovers, make-over, villain decay, the chosen one, etc.) are usually okay because there’s so much going on within and around them that it mixes it up. Just try not to draw attention to the fact that it’s there (let the readers analyze/enjoy the story without you saying hey look what I did here), and don’t throw too many of them into one story.

And last but not least, ask yourself these simple questions. (And answer honestly. The success of your book depends on you being honest with yourself about what it contains.)

Is there more to this character than the trope they spawned from? If the answer is no, you need to workshop that character and develop their personality.

Are all of my characters directly linked to a trope? If the answer is yes, you might need to mix it up. There should be at least a few characters that don’t spawn from a trope.

Get a second opinion, if you aren’t sure. Ask them to read it with this in mind. If you’ve developed your characters well enough beyond their trope spawn point, you could pull it off beautifully. But there’s the risk of making your book cheesy if all your characters are tropes.

And no one wants that.

Now, go forth and write deeply developed characters and plot lines.

Keep reading. Keep writing.

Later.