Tag: writing tips

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Character like a Coloring Book

Hello, all!

So, first I want to tell you to get your butts over to my social platforms! I’m talking about my (soon to be released) fantasy romance, Soul Bearer, in a July challenge for the next couple weeks, and you should check it out. 🙂 Also, check out World Indie Warriors (the group hosting the challenge) if you want to participate. There will be a giveaway at the end.

Now, with the plug behind me, I want to talk about the work that goes into building a character. Because there’s a lot of work involved.

You don’t just come up with a name, their appearance and favorite color, and then that’s it. That would make for some shitty characters, and an even shittier book.

So, here we go. Because no one wants to read a half ass book full of characters as vivid as the pages of a brand new coloring book.

Okay, first (and most obvious thing) is their personality. Snippy? Compassionate? Ice queen?

Pick one per character, and fucking stick to it. Unless a plot point catalyzes a personality change. If someone is super kind and sweet and optimistic and soft spoken, and they have everything ripped away from them, don’t fucking tell me they won’t ever question the point of caring.

Life changes us. Why wouldn’t it change the characters? We need to see how they develop, what they learn, what they struggle with…

Now, you have to figure out why they’re that way. You don’t get to just say, “Because I want them to be that way.”

Nah. That’s some bullshit.

So, this is where their past comes into play. Some people are naturally shy, yes, but has their life intensified that? Or maybe it taught them to come out of their shell.

Or maybe they pushed through all sorts of hardship, through sheer force of will, because they don’t see any option but to keep going.

You have to plot out a past that helps to shape them into the person they are, and makes sense.

Keep in mind, it has to make sense. Unlike real life, people expect fiction to be believable. If I threw every shitty experience I’ve ever had at one character, people would throw the book away.

“Oh, of course she walks out on the front porch, first thing in the fucking morning, and finds a dead kitten, in pieces. Of fucking course.”

(Side story, but yeah, that actually happened. One mama cat had her baby, her first litter, and it didn’t make it. My husband and I couldn’t get to it to bury it, because we’re not cat size. Another mama wanted the spot a couple weeks later, got the dead kitten out, and promptly deposited it on the front porch for us to see. Not a good day.)

So, you have to meter the trauma. Spread it out a bit, make it believable. Look at statistics. Study psychology to see how shit affects people. Make it believable.

Give them quirks and habits and odd behaviors to make them real and relatable.

Now, there’s the issue of friends. If your MC likes who they are, they’ll probably seek out people with at least some similarities. If they dislike themselves, they might have friends who are their opposite.

People seek out friends and significant others who embody traits they find desirable. That’s why there are so many books and movies where shy girls befriend super outgoing party girls, and vice versa.

Or, maybe they want to be around people like themselves for the sake of common ground, even if they don’t like their own personality. Because then they can be miserable together.

My point is, there needs to be a reason (aside from convenience for your plot) for them to willingly surround themselves with these people.

And then there’s family life to consider. Good childhood vs. bad, and what made it that way. What influenced their thinking as they grew and developed?

Chances are, since they’re your MC, their childhood was probably shit. Or maybe it was fantastic, until they reached adulthood, and then everything went to shit, making them the equivalent of a 90s kid. A bitter, nostalgic adult wishing the world looked like the one they were promised as a child.

Oof. That may have been too real.

We’re talking about fiction here…lmao.

Anyway…Making people is incredibly complicated.

Read up on psychology. It helps. This wasn’t what I intended to use my bachelor’s degree for (I planned to go to grad school, and become a therapist), but I like this use of it better. This career path is for me.

Becoming a therapist was just so people wouldn’t question my career choice. Because no one questions that. They just say they know a few people who need to come see you, and offer to send you clients. Lol.

Though…it is ironic. I didn’t want to spend hour after hour hunched over a desk or worrying about whether people would hurt themselves or others because of something I said wrong. Now, I’m trying to make a career out of spending hour after hour…working away at my computer…worrying over which people will hurt others or themselves…because of things I say…Lmao.

But it’s fictional people. And that makes it okay. Lol.

Alright. I’ve rambled long enough.

I’m more than halfway through this round of edits for The Gem of Meruna, with a possible cover. I’m a quarter of the way through the final edits of Soul Bearer, and am introducing it on IG and FB.

Forward progress. 🙂

I’m pretty excited.

Keep reading. Keep writing.

Later.

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Wish Fulfillment…and why you probably shouldn’t write it…

Hello, all!

So, fiction is supposed to be about living different lives, looking through different eyes, sometimes at different worlds or different versions of our world, right?

Right.

There’s this tendency when writing fiction, though, where a lot of authors write themselves directly into their book. Not just bits and pieces of themselves, but their whole self in one character.

And, unless it’s fan fiction, that’s bad. For a lot of reasons.

Now, don’t get me wrong, use parts of your life, parts of yourself. have at it. I do it, all the time. I give one character my favorite color, and another drives a car like mine. One gets my anger, and another feels my guilt. Some get an experience that I’ve gone through, though I always tweak them (either amping them up or cooling them to a simmer) to make it fit the story and/or world.

Basically, you want one of your characters to have dealt with a certain bad experience from your past because you went through it, and thus understand it?

Cool. That character has a good chance of seeming genuine, because you know the emotions they would experience, to a degree (They may have a different personality, and thus may cope differently.).

But don’t also make that character look just like you, and act just like you, and think like you…and have a name that’s a thinly veiled variation of your name (or middle name).

When you’re writing for the sake of wish fulfillment, a lot of times, the story is sacrificed for the sake of…getting what you want. Things get twisted, and moved around, and massaged into place, all for the sake of getting the personal satisfaction that the author wants.

That isn’t what writing is about, necessarily. Yes, there is satisfaction in a good story, but…the story comes first. The story should always come first.

And fiction has to make sense. It has to be believable, and relatable…to more than one person.

Another problem with wish fulfillment in writing (because fuck smooth topic segues) is that it breeds a lack of diversity. If all your main characters are exactly like you…well, that’s pretty much the exact opposite of diversity.

If you always write about a short white girl because you’re a short white girl, or always write about a tall black man because you’re a tall black man…you’re not really stretching yourself. If you always write straight characters, or always write gay characters, because that’s what you are…then you’re not looking at the world through different eyes.

If you do that, over and over, your stuff is going to be boring as fuck. You don’t want that. Your readers don’t want that.

Side note…not all of your characters are going to logically be the same race/gender/sexuality as your main character. Mix that shit up. Common sense. There are a lot of different types of people.

Those differences lead to conflict and (eventual) resolution. You know, that thing that’s essential to a good story.

Anyway, back to wish fulfillment. Where was I?

Ah, yes.

The clapback…

When you write stuff that obviously falls into this category, you’ll probably get some crap for it. “Oh, he wrote about a character that looks just like him, and sounds just like him, and the character just went around hooking up with all these girls who were just hovering on the brink of being legal…God, he’s a perv…”

Do you really want that? (The backlash, not the hook up thing.)

No. No one wants their book to be mocked. We want our books to be well-received. (Perhaps even loved.)

And what if people don’t realize it’s wish fulfillment, and bash on your character? What if they call him/her boring or weak? Or worse, an over-inflated side character? It’s going to hurt. You’re going to be super attached, and get your feelings hurt, because…that’s you.

Don’t get me wrong. I’m sure you’re all awesome in your own way. But blatant wish fulfillment tends to…not always be well thought out. But I don’t want every book I read to have the exact same main character…

Sometimes, this beast takes the form of a super character. An idealized, perfect person, with no flaws and no problems. Which instantly loses all relatability.

And then, that brings us back to the whole…boring thing. If the character has no flaws or problems, then what’s the point of the story? They’re not struggling with any major problem.

It just becomes the tedious march toward death that we all live every single day.

And, let me tell you, I ain’t about to read four hundred pages of some perfect bitch living a perfect life.

Now, I’m not going to lie to you. I have tropes that I enjoy writing and reading. Outcasts/underdogs. Strong female leads. Battle-worn and downtrodden, but rising to the occasion. Self-sacrificing hero types (even better if they realize what they’re doing, and see the shit they bring upon themselves by always playing hero).

And, yeah, I refuse to write a damsel in distress (unless she were to rise to the occasion later on), or a slutty brat, or a stereotypical jock as my main character.

But avoiding/preferring certain tropes is different. If you like your leading ladies to be delicate, wilting-flower types, write the shit out of them!

But don’t write yourself as them.

Give them a trait or two that you possess, then make up the rest of their lives and personalities from scratch.

Get creative with it, and have some fun.

Now, I’ll step off my soap box…Lol.

So, anyway…I’m about halfway through my edit of The Gem of Meruna. At work, after building out (a.k.a. I built the amount of tires I’m supposed to build in the entire shift before the end of the shift, and thus could sit in the cafeteria), I started editing Soul Bearer.

That one will be the next release! I’m so fucking excited to get it out for you guys to read.

I’ll be doing a challenge on IG and FB (challenge set forth by World Indie Warriors) in July, wherein I’ll begin talking about the story, introducing characters, sharing a couple scenes, etc.

So, if you’re curious about my upcoming fantasy romance novel, or want writing memes (I’ve been posting a lot of those lately for some reason), follow me on IG or FB. Links below.

If you’re a fellow indie writer, check out World Indie Warriors. It’s still new, but there are a lot of plans in the works. You can participate in the July challenge with us, and, by doing so, be entered to win a box of goodies, including some signed books!

Anyway, I’ve talked your ears off (or typed your eyes out) long enough.

Keep reading. Keep writing.

Later.

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TV, Movies, and Other Sacrificial Lambs

Hello, all!

Today, i wanted to give budding writers, readers, and just plain old curious folks a little glimpse of the sacrifices made to write. Because writing a book, let alone multiple books, is not a passive process. it takes time, a hell of a lot of patience, and a ton of work.

So, here goes.

One of the first things to go, for me, was tv and movie time. I usually watch a bit with my husband while we eat, but beyond that…it’s just background noise.. we occasionally have a binge day, where I set my writing aside for a few hours, but that’s like…every couple weeks.

Now, for me, that was an easy thing to do. I’d already sacrificed these poor creatures to the OCDemons when I was a kid. Remotes were “dirty,” as was the couch, even though nothing in the house I grew up in was ever all that dirty. It just violated the rules set forth by my OCD.

So, tv and movies were never a huge part of my life. For some, this is a big problem.

But you can’t expect a book to materialize in front of you, with your name on the cover, if all you do after work is sit in front of a tv for hours on end.

Not unless you want it to take about 20 years.

Now, video games have been harder to let go.

When I was younger, these, too, were sacrificed at the alter of the OCDemons. But after college, they were resurrected. And they found me.

Hell, for a while, when Final Fantasy XIV came out, my husband and I would alternate nights, and that was just…what we did. One of us played, and the other either did chores, or watched. Then, the next night, it switched. We did that for months.

And don’t even get me started on Skyrim or Fallout 4. I sank so much time into those games, and I loved every second of it.

But I want to write. I want to, eventually, make a career out of writing so I can write even more. That means cutting out other things to make time for it.

So, I put less time into video games.

And…all my other various hobbies. Lol.

And…also some social time.

Basically, what I’m saying is that it takes work and dedication.

And if you’re going to do it, if you’re going to put in the effort of writing a book, you may as well put in the effort to do it right. That means learning about grammar, and style, and flow, and character arcs, and so many other things…In addition to writing time.

So, anyone beginning a writing career, balance is going to be hard. You’re going to have to give up a lot. But if it’s your dream, do it. Make time for loved ones, of course, but if it comes down to choosing between watching a show you’ve seen several times or hammering out a chapter…

You know what you have to do.

Readers…please just appreciate the effort that goes into a book. As a ton of online posts would say, “feed an author, leave a review.” Lol.

But seriously, leave reviews.

Amazon doesn’t put books into certain featured lists until they get a certain number of reviews. They’re pretty important.

Anyway, I’ll stop ranting and raving for now. It’s been a pretty productive week. I typed just over 6,600 words for Salt and Silver, and have a chapter handwritten. Then, just the epilogue and I might add a chapter. I’ve got it planned, and it’ll help with balance and closure, but it isn’t completely necessary.

We’ll see. I’ll probably write it, and then go through the story with and without it. Then…it may face the guillotine.

Either way, I’m getting so freaking close to being done with the first draft. And the closing line of the last chapter…

I can’t tell you (literally, because spoilers) how happy I am with it. That one line wraps it all up so damn nicely.

I still have to type that part up, and I’m genuinely looking forward to typing that last line. It won’t be the last part I type, because I’ll still have to do the epilogue. But I want to get to that part of the story, again. The rush of it when I wrote it out by hand…

*sighs contentedly*

Well, for now, I’ll be signing off.

Keep reading. Keep writing.

Later.

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Whose Eyes Should I Look Through?

Hello, all!

This week, I did something with Salt and Silver that’s a pretty common mistake. If you follow me on Instagram, you will have seen the video I posted where I deleted a large chunk of text. I wrote that section of a scene, then realized it would be better told from the perspective of my other main character. So, I rewrote the scene from the other perspective, and deleted the original.

Writing from the wrong perspective for a scene can really hinder the flow, and the story, as a whole, and it’s so easy to do.

So, today, I thought I’d go over why main characters are main characters, and why we show certain things from certain perspectives.

Ever wonder why the main person in a book or movie is always “the one?” Or why everything happens to them? Or why they have so much going on in their life?

It’s on purpose. Believe me.

Why the fuck would we write about the hero’s cousin? Who wants to read a story about someone who heard about this kid who got magical powers? Who would sit for two and a half hours watching a movie about the woman who works with a woman who became a vigilante, even though this other woman never did anything cool or funny or daring?

No one.

Because it wouldn’t be interesting.

We write about “the one” because, in their world, they have the most to lose, or face the hardest decisions, or have to sacrifice more. They’re the main character because they’re the main one dealing with the issues of the plot.

Everything happens to them…so we can actually show it to you.

If I write a scene from the perspective of every single character involved in a book, 1) that’s going to be a hell of a lot of work for me, and 2) that’s going to be incredibly convoluted and hard to follow. So…everything has to happen to that character, or, at least, to someone they’re close to, so it still impacts them.

They have a lot going on because…well…they have to have baggage to be realistic. If they have no baggage, if their life is easy and perfect and blissful…that’s hard to relate to.

And unrelatable characters just aren’t as interesting.

Now, if you don’t choose the exact right character to spotlight, that doesn’t mean it’s a complete loss. For instance, I watched a movie called The Silence, recently. It’s on Netflix, one of their originals, I think.

It was good. I enjoyed it. But. They picked the wrong main character.

They weren’t off by much, of course. And, yes, the deaf daughter has her own merits as a character. She’s certainly got some things she deals with (being deaf is a hindrance in our world, and in the apocalypse, as neither world cares much to cater to people).

But the dad is a much more interesting character. He has to make the tough calls. He’s the one to sacrifice, time and time again, getting creative in times of great duress.

The daughter just worries about a guy she likes, and watches the struggles going on around her.

Not quite as interesting.

But I still liked the movie.

So, it’s not necessarily the end of your story if you choose the wrong character to highlight, but it will have an impact.

So, if you’re writing, think about which character has the most at stake. Which character has the most to gain? The most to lose? Who will play the biggest role in overcoming the issues at hand? Who has the most to overcome?

If you’re writing from multiple points of view, and need to decide who to write a specific scene for, which main character will be the most emotional during that scene? Which will be hit the hardest? Who will be the most excited?

Or, depending on what you’re going for, who will be so overwhelmed by emotion that they enter that strange, drifty-numb state where processing anything new becomes too much?

Find the answer to the questions above. That’s your main character.

Sometimes, it turns out to be the villain. Sometimes, it’s a more obvious choice (the chosen one, or some such thing).

And, of course, there are exceptions to the rule, as is the case with anything, especially creative things. Sometimes having one character frame the events that unfold for the true main character is a good way to write. But most of the time, the most interesting character is the best perspective to go with.

Anyway, now that the educational portion of this week’s blog is over, it’s time for a status report. This week, I pulled off 4,649 words for Salt and Silver, not including the deleted portion or the (approximately) 500 words that’s sitting in the notebook in front of me, waiting for me to type it up.

I also just wrote a 1,229 word short story/flash fiction piece. The story was stuck in my head, so I just hammered it out real quick before doing my blog. Lol. I’m still deciding on how to get that out for you all to read.

Posting it in my blog kinda eliminates the possibility of actually publishing it later. Self-publishing something that short without other stories along with it seems silly. I couldn’t get a paperback for it, and I refuse to not have the option of a hard copy.

I may look around for some anthologies that are taking submissions, and see if it fits. Granted, I still have to edit it. But whatever. I can do that later.

For now, I think I’m going to get to work on Salt and Silver. So…

Keep reading. Keep writing.

Later.

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Writing tips? Who the hell am I to give writing tips?

Hello, all!

I recently got an audio book version of one of my favorite books (I won’t say which, because I’m about to shit on it a bit. Figuratively, of course. Lol.) I put it on my phone, and have been listening to it while at work, and….it’s just stunning. It really is a perfect story, even if the writing could stand a few improvements, at least in the beginning of the book.

It has aliens and futuristic technology, primitive survival and humans on the brink of extinction, other worlds and a new vision of our world, drama and tension. Multiple romances, even a love triangle, though in this case it’s more like a square with one side collapsed so that two corners collide.

In short, the story has nearly everything that I like to read.

But hearing it spoken aloud brings writing flaws to attention. There’s a reason that one very common tip mentioned in writing groups is to read your work aloud.

Which brings me to the topic of discussion today: passive voice and copula spiders.

Basically, they’ll fuck your shit up.

Too many make your story drag on, racking up the word count without adding to the plot, or moving it forward, at all. I know how comforting a higher word count can be, believe me, but if it’s all going to be cut out in editing, it doesn’t help in the end.

Passive voice example:

The apple was eaten by Tom. (passive as hell)
Tom ate the apple. (much better)

The second sentence actually shows someone doing something. It’s active. It’s more interesting, and doesn’t pack your story with useless words. (A tip I saw in a meme recently said that if you can insert “by zombies” after your verb, you’re using passive voice. The apple was eaten…by zombies.)

Now, for copula spiders. Basically, if you search for the word “is,” or some other conjugation of the word “be,” in your manuscript, and can find more than 8 on a page, that’s a copula spider. If it’s printed, circle one, and then circle the others, connecting them all to one in the center. It’ll kinda look like a spider.

Is, am, were, was, be, been.

Look into it. They’re vicious soul suckers, and slow the story down. Don’t believe me? Here you go:

The apple is red. It is shining. The sunlight is bouncing off it.
The red apple shines brilliantly in the sunlight.

Which would you rather read?

Hell, I was able to add another word (“brilliantly”) for impact, and the second version was still shorter. Concise writing vastly improves story quality.

Let’s combine the two flaws, because they tend to go hand in hand. How about we raise the stakes while we’re at it, really drive the point home?

The gun is loaded. It is pointed at me by Tom.
Tom points the loaded gun at me.

Sweet (in theory, not in the practice of pointing guns at people), simple, and to the point (pun intended).

It just flows, so much better.

Don’t get me wrong, there are times where this can be used for emphasis. Perhaps, Tom wants to assure us that the gun is loaded. Perhaps, someone is colorblind, and has confused a fuji apple for a granny smith. They need corrected, lest they put the wrong type of apple in their pie, and someone says, “It is red.”

Similarly, passive voice can be used to emphasize parts of the sentence, and, let’s face it, people love to really drive their points home, any way they can. So, dialogue becomes a free-for-all, to a degree.

In a similar vein, first person-present tense can use these things quite effectively, if the story is written as if it were the character’s thoughts. Even then, it has to be done well.

Not to mention the potential for a troublesome character who tends to over-explain, thus limiting any possibility for concise language.

So, every rule has its exceptions.

But, for the most part, passive voice and copula spiders hinder storytelling. Burdensome and ineffectual, they slow the reader, transforming a potentially page-turning novel into a sluggish read.

That’s not exactly something most writers want.

Some stories are strong enough to pull their weight, regardless of a few extra words. The one I’ve been listening to, for example.

But not every story can bear that kind of burden.

Do yourself, your editor (and thus your wallet), and your readers a favor. Be wary of these things. When you employ them in your story, do them with great purpose, and make sure it’s obvious that you meant to do it.

We can tell when it’s an accident.

*steps down from the soap box*

*prepares to use the hell out of copulas, because at this point, I’m just talking*

On a more personal note, I want to say that rewrites are exhausting. Lol. I worked through about seven chapters of Salt and Silver, and was frustrated the whole time. I couldn’t figure out what I was doing wrong. I just knew that it wasn’t working.

Then, I realized I was holding on too tightly. To sentences. To phrases. To chapters.

To a character.

So much stuff must be cut to make room for the things I have to work in. I was trying too hard to adjust things, rather than eliminating them. But if a character’s role in the story changes…naturally the amount of time they’re given in the limelight should change, as well.

So, I head into this week’s revisions with a clearer idea of what I must do.

Wish me luck. Lol.

For now, though…

Keep reading. Keep writing.

Later.