Why are we comparing short stories to novels?

Hi, guys!

Recently, in one of the many writing groups that I’m a part of, someone asked if people write short stories when they give up on writing a novel. As if writing a short story were something that could just be done with no thought or skill, whatsoever, because supposedly, it’s the easiest thing to write.

And that kinda stuck with me.

I was just flabbergasted.

That level of prejudice toward a type of story just… hadn’t occurred to me before then. I write stories of all lengths, flash fiction, short stories, novellas, novels, and now, series. So, I know that each one poses its own unique challenges.

No single one of these defines a writer’s skill.

None of them denote having given up.

Series require the solution to some problems, but the tension of certain things left undone for the next book. The characters have to develop and grow (or fall apart). They have to encounter one stumbling block after another, without it reading as if you’re literally just trying to draw the story out to make money on a second book. Or a third. Or a seventeenth.

Novels require all the loose ends to be tidied up by the end of the book, and hopefully enough intrigue to carry the reader to that point. Throwing in just enough obstacles to carry the characters (and the readers) through 70,000 to 110,000 words is a difficult balance to strike.

Novellas and novelettes have to operate on a smaller scale or go out with one hell of a bang. You have to choose your words carefully to get the exact right meaning across, which should be done regardless of book length, but especially so when you don’t have the word count to spare. And you have so much less space to truly develop your characters. It can be done, but it can be a challenge.

And then, there’s short stories and flash fiction.

Building a world, developing characters, and putting together a plot (then wrapping it up) in less than 7,500 words for a short story or less than 1,000 words for flash fiction is not an easy feat.

You have to grab people so quick. You have to make them give a shit about the character immediately.

Because there aren’t enough words not to.

So to say that failed novel writers become short story writers is a load of bullshit.

Writing short stories instead of novels has nothing to do with whether an author is successful or creative or smart. What it truly comes down to is the number of words it takes to successfully express a given story.

That’s it.

Some stories are meant to be a series that keeps you hanging on from one book to another. Some are meant to come in, punch you in the face with 700 words, and leave you reeling.

That’s just how it goes.

The stories should decide what length they are.

The writer’s skill or work ethic has nothing to do with it.

So, if you write short stories or flash fiction, don’t let anyone tell you otherwise. Your work poses it’s own unique set of difficulties.

Overcome them and show those judgmental jerks who’s boss.

Now, as far as my own work is concerned, I’ve been forging ahead on projects of varying lengths over this past week.

I did a full round of edits on a short story called Born of Heathen Gods. I’m torn between releasing it on its own or saving it back for an anthology, down the road.

I made some progress on this round of edits on Where Darkness Leads, cutting out over 1,000 words of info dumps/repetition so far.

And I’ve written over 5,000 words in The Regonia Chronicles. Some pieces are falling into place within book two, and I’m pretty excited to keep moving ahead.

Just not tonight.

Today’s 12 hour shift in the sweaty ass tire factory really took it out of me.

So for now…

Keep reading. Keep writing.

Later.

Making Up Words

Hello, all!

Today, we’re talking about world building! Specifically, language creation.

Over on Facebook, I’m part of a very large (89,000 members) writing group called Fiction Writing. (If you’re a writer, regardless of experience level, seeking to learn about writing fiction or just looking for a writing community, go join.) Members can post questions or helpful advice, and basically drink from the knowledge of the group.

Here lately, I’ve seen several posts asking for advice on creating a language.

They get responses ranging anywhere from “study linguistics” to “don’t” to all manner of genuinely helpful tips.

Now, I’ve only created a language for one of my WIPs (sci-fi series), but I do have some tips. If you’re going to tackle this beast, keep these in mind.

1. Identify the sounds you want them to use, and formulate an alphabet based on that.

Not every species is going to use the same convoluted alphabet we do. I think only 4 letters in the English alphabet make one sound, no matter what letters are next to them, or what word they’re in, or whether they want to be silent that day, or whatever.

English is a bit of a monstrosity like that.

Since I got to decide, Regonian is phonetic. Their letters have one sound each. They always make that sound, and they’re never silent.

2. Numbers! How do they count?

Please, for the love of God, don’t have them count like the French. Or do. It’s up to you.

But…that shit’s a mess. (I’ll put a link at the bottom for a video about French numbers.)

3. Come up with grammar rules. (Verb tense, showing possession, plural vs. singular nouns, punctuation, etc.)

Again, English is a fucking monstrosity. Your language doesn’t have to be. Mine isn’t. Because I didn’t want to deal with that shit.

4. Figure out how the words interact with/modify each other.

For instance, in Regonian, the word for smile is literally the words “lips” and “wide” smooshed together with a syllable dropped, because that’s how I decided nouns and adjectives interact.

Maybe your verbs join with the noun to illustrate the action framed by the actor. Who fucking knows? You. You know.

5. Decide the word order sentences will follow.

Do you want the noun to be the beginning of the sentence every time? Okay. That’s how it is. Do you want the adjectives to come after the noun (like in Spanish)? Got it.

For mine, for the sake of simplicity in writing the stuff, I stuck with the sentence structure that I’m most familiar with (English). But you don’t have to do that.

6. Identify key elements in their culture, and shape phrases around them.

For the Regonians, sound is a very important, almost religious aspect of their lives. It ties into their views of the afterlife. They’re a very musical people, using a multitude of instruments, singing, and even aspects of beat boxing in all important aspects of their lives. So sound influenced how they reference emotion and how they show their love.

Thus, I centered a lot of phrases around words pertaining to sound.

Do they have any neighbors? Most civilizations don’t develop in a petri dish. (The one in The Gem of Meruna developed without outside influence, but that’s explained in The Regonia Chronicles. Yes, there’s a tie in, which I’m pretty excited about.) How has that other culture shaped them? Because that’ll affect their language. Maybe they borrowed a few phrases or words.

7. Build a word database.

You never know what word you’re going to need. Believe me. Lol.

This part can kinda be done as you go along, just be sure to reference everything you came up with for numbers 1 through 6, so you don’t accidentally contradict yourself.
It’s not easy or quick. Lol. No advice in the world will make it simple. You’re literally trying to do something that took millennia to evolve naturally, in the course of, what, a few months? A year?

And it has to appear to have evolved naturally, changing over time. Certain phrases have to have been abandoned because they were too antiquated. New slang will erupt. Disdain for said slang may or may not be whispered amongst the older members of the community. Maybe your new race embraces the fluidity of language. If so, you’ve got your work cut out for you, because that means a lot more change is going to happen over time.

To a degree, creating a language an exercise in masochism. In all likelihood, only a few tidbits will actually be written in this new language. A quote here, a thought there…maybe a passage that a character sees written out before them.

So, for the most part, the readers will never know that you built a 2,000 words dictionary. But for the sake of doing it right, for the sake of continuity and feeling like a real language…you almost have to.

So, good luck.

I’m glad to have that part behind me. Lol. I have no intention of ever doing it again.

But I wouldn’t take it back, either. It really enriched The Regonia Chronicles.

Anyway, I’m about a fourth of the way through the edit for The Gem of Meruna, but…it may need another round after that. So, I may do the final edits on Soul Bearer or After (pending the feedback from final beta reads), and release one of those, first.

Man…you’d think all this planning would wear me out. Lol. Jk. I barely plan anything. Until I get one fully edited and ready for formatting, I’m pretty much just flying by the seat of my pants, for which…I apologize.

It makes sense, though. That’s how I write, so why wouldn’t it be how I edit?

Once I get one ready for formatting and ARC readers (thus setting in stone which one will be out next), I’ll set dates. Then, I’ll start posting about it, and telling you guys more about the story and the characters.

For now…

Keep reading. Keep writing.

Later.

Sating the Monster

Hello, all!

There’s a quote by Franz Kafka that I love. “A non-writing writer is a monster courting disaster.”

It feels 100% accurate, most of the time, let me tell you.

When you write a lot, it becomes such a huge part of your day, of your life, really, that not writing makes you…anxious. Like there are a million words about three thousand worlds and people, all itching to get out.

Because there are.

Beneath the skin, behind the eyes, of every writer, there lie untold universes. And they’re all trapped, until they meet the page (or the screen). They claw and scratch and shout for freedom.

It’s hard to explain, but every character feels like a real person, with their own mind and heart and decision making abilities.

And they all want their time in the limelight.

Denying that…is hard. Focus drifts back to the story, to the world that you so badly want to be putting to paper. Things that stop you from writing become…a hassle. (Work, chores, etc.)

So, a non-writing writer…a bit of a time bomb. Lol.

But this week, disaster was averted.

I started the week on page 41 of 102 with the rewrite of the first half of Salt and Silver. Now, I’m sitting rather comfortably at the end of page 86 of 112.

And I’m so freaking excited about it!

Of course, I’m still anxious to get through the rewrite and finish the story, but this is just going so well. Now, that I’ve given myself over to the idea of cutting things out, somehow, I’m actually adding pages to the story as I go.

*sighs contentedly*

It’s been a good week.

Anyway, a couple other updates. I’ll be doing an alchemy themed photoshoot in the coming days or weeks. One of the MC’s in Salt and Silver, Ness, is a demi-demon, and she isn’t exactly accepted in polite society. So, she mixes potions and salves in her mountain cottage to sell for coin when she has to venture into towns.

I plan to base the photoshoot around her.

I even made some of the pendants from the story. She has various necklaces draped around the necks of bottles throughout her home, and I wanted to include them. Since I’ve pulled the symbols from thin air, finding pre-made ones wasn’t going to happen.

But I have them, now. I just have to attach them to chains and suede bands.

At any rate, that’s exciting for me.

In other news…

If you follow me on Instagram, you may already know, but Annabelle is being featured in another indie writer’s giveaway. She’s put together a collection of books by indie authors, is reviewing them, and giving them away.

Annabelle received one hell of a review, which I’m incredibly thankful for. Today was the last day to enter for the April boxes, but there will be another drawing in May. So, find @write_read_talk_live on Instagram, and check out her giveaway post for rules for entry. Follow her to stay posted on when the new giveaway will open for entries.

Or, if you don’t want to wait, you could always check out Annabelle on Amazon. Lol.

But follow her, regardless. She’s super cool, and posts a ton of awesome stuff.

Also, on a completely unrelated note, I may or may not be self-publishing another novel this year. I’m still debating, to be honest. Currently titled “Where Darkness Leads,” it’s a dark fantasy novel. Like…real dark.

It’s one that…will be hard to find a traditional publisher for. But I’m still toying with the idea.

Traditional publishing just has this…lure about it, this prestige. Being the one out of thousands to be chosen by a big publisher is a very nice thought. Honestly, submitting a manuscript to agents and publishers isn’t unlike playing the lottery. The odds are never in favor of the author. Ever. Most traditional publishers make offers on 1% of submissions. Maybe 2%.

But gambling can be so addicting.

The lure of the reward keeps pulling me along, despite the risk (time and effort that could have been put into writing, not to mention the painstaking research on which publishers/agents to submit to, all of which could very well be for naught).

It’s rather discouraging, at times.

And this particular novel…well, the only publisher I’ve found so far that seemed an absolute perfect fit…closed three years before I wrote the novel. Lol. So there’s that.

*sighs*

*rolls eyes at the ludicrous odds of such terrible timing*

Anyway…

I’d stay and ramble on a bit longer, but…I’m just so excited to get back to writing.

So, for now…

Keep reading. Keep writing.

Later.